Amphitrite (Sapphire & Pearl)
JASMINE EVANS
Hold her between your teeth
She's a gem
Isn't she
.
You knew from the moment you
tasted her
She was
.
Priceless
Priceless
Priceless
.
.
It's not every day
you get to hold
the ocean in your hands
.
To look into a goddess’s eyes
& be crushed beneath their depth
.
.
For all you know
she's Amphitrite
.
How’s it feel to have salt
caking the walls of your weak mortal lungs
.
I bet that kiss cost you
a pretty penny
.
Was it worth it
.
Did you find what you were
looking for
And then some
from two tone
MALIA HANES
She was everything you wanted her to be
Two tone touch fingers too soft, delicate at the edges and rosy cheeks that burned in the sun
She was the fire in your world of glass
The brightest spark in a world where everything shined
She was the pen to your heart
Drawing a line to show you where to lead it
The eyes to your blindness
Leading you in a world that you can’t see
Taking your hand slowly
And reminding you that life is wonderful
The wind was dancing through her hair
Your two voices were melodic in a space that screamed darkness
She inhaled the old cigarette fumes and out came the smell of violets on a cool summer’s evening when all you want to do is stare at the stars
She made your story complete
But it kept on going
She was your foil
Reflecting the best and the worst parts about you
She touched your heart, gently at first
Holding each part in it slowly
Gripping it to remind you that she was there
She danced around the flames that you lit for her
Laughing at nothing
And crying at everything
You were the world
And she orbited you
But she became
Two tone don’t touch me ever, delicate at the edges and rosy cheeks that burned the sun
She watched the world from afar
Taking it but never allowing herself to be happy
The world was orbiting around her
Faster this time
And it only stopped when she told it to
She was the ruler of the universe
As you watched from afar
Gripping the edges of your seat
Wondering what would happen next
She left you on a cliff hanger
And spun you around some more
But she still danced around the flames
Lit up in a circle that smelled of roses and love at first sight
She picked up petals delicately
Holding each one
Taking every last detail into consideration
Never considering the roots that it sprung from
How they used to dance around the room for you too
How she would stop and smell them
Daintily twirling one around her finger
But now they dance for her
Why can’t they dance for you too?
from two tone
MALIA HANES
She was everything you wanted her to be
Two tone touch fingers too soft, delicate at the edges and rosy cheeks that burned in the sun
She was the fire in your world of glass
The brightest spark in a world where everything shined
She was the pen to your heart
Drawing a line to show you where to lead it
The eyes to your blindness
Leading you in a world that you can’t see
Taking your hand slowly
And reminding you that life is wonderful
The wind was dancing through her hair
Your two voices were melodic in a space that screamed darkness
She inhaled the old cigarette fumes and out came the smell of violets on a cool summer’s evening when all you want to do is stare at the stars
She made your story complete
But it kept on going
She was your foil
Reflecting the best and the worst parts about you
She touched your heart, gently at first
Holding each part in it slowly
Gripping it to remind you that she was there
She danced around the flames that you lit for her
Laughing at nothing
And crying at everything
You were the world
And she orbited you
But she became
Two tone don’t touch me ever, delicate at the edges and rosy cheeks that burned the sun
She watched the world from afar
Taking it but never allowing herself to be happy
The world was orbiting around her
Faster this time
And it only stopped when she told it to
She was the ruler of the universe
As you watched from afar
Gripping the edges of your seat
Wondering what would happen next
She left you on a cliff hanger
And spun you around some more
But she still danced around the flames
Lit up in a circle that smelled of roses and love at first sight
She picked up petals delicately
Holding each one
Taking every last detail into consideration
Never considering the roots that it sprung from
How they used to dance around the room for you too
How she would stop and smell them
Daintily twirling one around her finger
But now they dance for her
Why can’t they dance for you too?
from two tone
MALIA HANES
She was everything you wanted her to be
Two tone touch fingers too soft, delicate at the edges and rosy cheeks that burned in the sun
She was the fire in your world of glass
The brightest spark in a world where everything shined
She was the pen to your heart
Drawing a line to show you where to lead it
The eyes to your blindness
Leading you in a world that you can’t see
Taking your hand slowly
And reminding you that life is wonderful
The wind was dancing through her hair
Your two voices were melodic in a space that screamed darkness
She inhaled the old cigarette fumes and out came the smell of violets on a cool summer’s evening when all you want to do is stare at the stars
She made your story complete
But it kept on going
She was your foil
Reflecting the best and the worst parts about you
She touched your heart, gently at first
Holding each part in it slowly
Gripping it to remind you that she was there
She danced around the flames that you lit for her
Laughing at nothing
And crying at everything
You were the world
And she orbited you
But she became
Two tone don’t touch me ever, delicate at the edges and rosy cheeks that burned the sun
She watched the world from afar
Taking it but never allowing herself to be happy
The world was orbiting around her
Faster this time
And it only stopped when she told it to
She was the ruler of the universe
As you watched from afar
Gripping the edges of your seat
Wondering what would happen next
She left you on a cliff hanger
And spun you around some more
But she still danced around the flames
Lit up in a circle that smelled of roses and love at first sight
She picked up petals delicately
Holding each one
Taking every last detail into consideration
Never considering the roots that it sprung from
How they used to dance around the room for you too
How she would stop and smell them
Daintily twirling one around her finger
But now they dance for her
Why can’t they dance for you too?
Hopeless Mask
RACHEL FRIEDMAN
Lackluster wisps of quiet emotion seep
underneath my nails which i try so hard
To keep clean of your silent hope that life
Continuously presses up to them
Dull aching claws at my emotion that
The hopeless part of my brain feverishly
overlooks, drowned in pounding music, but
The cold mask always cracks, eventually
Hopeless Mask
RACHEL FRIEDMAN
Lackluster wisps of quiet emotion seep
underneath my nails which i try so hard
To keep clean of your silent hope that life
Continuously presses up to them
Dull aching claws at my emotion that
The hopeless part of my brain feverishly
overlooks, drowned in pounding music, but
The cold mask always cracks, eventually
Hopeless Mask
RACHEL FRIEDMAN
Lackluster wisps of quiet emotion seep
underneath my nails which i try so hard
To keep clean of your silent hope that life
Continuously presses up to them
Dull aching claws at my emotion that
The hopeless part of my brain feverishly
overlooks, drowned in pounding music, but
The cold mask always cracks, eventually
Ode to My Pants by Saul Hirshberg
Observations by Saul Hirshberg
Mind Database Poem by Saul Hirshberg
Bennet by Jack Palmer
Tessa by Ainsley Murray
Unfinished Rose by Rachael Strycharz
Untitled 1 by Arlo Dube-Hooker
Untitled 2 by Arlo Dube-Hooker
No Fear by Oscar Schiff
Meow by Lucy McVey
Hollow Knight Fan Art by Lucy McVey
Twisted Up by Rachael Strycharz
2-West
Issue 11: Spring 2024
Rachael Strycharz
Observations - Saul Hirshberg
#1: It looks realistic, honest, and perhaps unattractive, but complex,
It flies away, unwanted.
It looks elegant, magnificent, but terribly simple.
It stays, wanted.
We perceive things superficially, and thus we must appeal superficially.
It flew away with blotches and scars, flaws and wrongdoings, uniqueness.
It was not respected, was a marvelous fruit with a terrible appearance.
Was inaccessible, but honest.
We aspire to achieve accessibility, absence of blotches and scars, simplicity.
We should not seek to disguise ourselves because
We
Are
Unique
Nothing congruent, nothing exponential, a function that obeys an infinite pattern.
But the limit does not exist,
Not because of discontinuity,
Or an undefined value,
But because
We
Are
Unbounded.
Observation #2:
#2: We are turkeys, gliding on ice, in a realm of infinite experimentation.
We have explored, and have yet to explore more,
But have explored redundantly,
We forget our discoveries,
Fixate on
One
Single
Thing
Establish meaning.
We cannot explore everything, nor should we aspire to.
We cannot establish meaning with too much information.
A polyrhythm
1:2:3:4:5:6:7:8:9:10 will not accomplish.
Ponder over a polyrhythm
2:3, it will accomplish.
A near absence of light,
Will accentuate the presence of light remaining.
Abundance can not prove beautiful,
Sparsity can.
#3: We are asymptotes.
We focus on one task,
One interest,
Infinitely approaching mastery,
Without success.
Why must we think of achievements as algorithms?
Conditional functions, based on circumstances.
We train ourselves to instinctually create these functions.
Can we not simply make a decision?
Does everything have to be a logical computation that we must be preoccupied with?
Can we fly away from this idea, the delusion that one measly mistake will result in catastrophe?
Can we fly, our wings levitating,
Our wings moving in the breeze?
To avoid being an asymptote, we need an infinitely complex algorithm.
One that is impossible to create.
Can we take pride in the fact that we are approaching something?
We are accumulating wisdom, but by infinitesimally small intervals.
These intervals will combine, and will still be infinitesimally small.
Precisely the same percentage as we were previously.
We should not occupy ourselves with percentages, mathematical observations that will shun us.
Because
We
Are
Possible.
Thus
We
Are
Finite.
Nonetheless
We
Will
Achieve.
#4:
Can the unexpected, the jarring, the peculiar evoke joy?
Can an open wound fascinate us?
Can it, as it is a potential discovery?
Can tritones fascinate us?
The dissonance of the ‘devil’s interval’.
Are we submerged in an endless void of ignorance, afraid of results?
Have we avoided things because we are frightened of incorrectness?
We are not used to an open wound?
Nor tritones?
Should it frighten us?
We are open wounds.
We are, as tritones, different.
We are dissonant, we are frightening, we are jarring.
Are we bad?
Or are we an opportunity to discover, to explore ourselves.
A second inversion of the C Major triad will not do!
Add a flat 9th, and it is successful.
Blue notes make things more interesting.
Tritones make things more interesting.
Open wounds make things more interesting.
We
Make
Things
More
Interesting.
Ode To My Pants
-’Stellar Saul’ Hirshberg
Oh, delightful pants. With you, I am sanguine, no matter the circumstances.
In your absence, I am frightened, afraid, embarrassed.
I do not reside in a nudist colony, of course!
Perhaps I would be prosecuted, indubitably shunned,
If I was spotted like this virtually anywhere.
Subject to publicity! Why, would I look humorous!
And individuals would flock, simply to see,
Me and my peculiar underpants, sitting atop a tree.
Oh, It would be so dreadful,
And amidst my pondering, I,
Entirely forgot that I am not wearing anything in the slightest,
Being observed like this, looking so funny,
I have begun to realize that you are a necessity.
You are mandatory, crucial, very necessary.
For without you I am but a laughingstock,
Subject to incarceration.
I do not want to spend a day in a penitentiary.
I merely have to ensure that you are with me,
And I am happy.
And I am rather curious,
Am I fond of you, or do I actually believe that you are uncomfortable, superfluous, unnecessary.
Does it feel repetitive to put you on every day?
And, what is the harm of not abiding by social customs?
Oh, why are these outrageous rules enforced by folks superior to me?
These federal regulations are ridiculous.
And you, my pants, that I need to wear, are incompetent, to say the least.
To you, corporations, make better pants!
Why must I wear this unsatisfactory stuff?
Mind Database Poem - Saul Hirshberg
The human mind is but a database,
And our memories are local storage.
Logic is but conditions in the document object model.
Are we merely a combination of APIs?
Can one engineer a global storage,
A universal experience?
Among a true, conscious biological organism,
Not simply an intellect.
Are we superior to computers,
With our consciousness?
Or do we lack intellectual tasks,
Ergo being inferior?
Bennet - Jack Palmer
There is nothing worse than starting over. If you spilled ink on your final art project, or left your phone at home when you've already driven to school for an hour, and have to go back, as I have. It is an intense rage like no other. Ok, now that I have your attention, I would like to address some stuff. This poetic speech is a homage to an interactive experience titled: “Getting Over it With Bennet Foddy”. In this experience, the goal is simply to climb up a mountain, with nothing but a hammer and a pot filled with water. Seems simple right? Wrong. All throughout the experience, the creator himself; Bennet Foddy, is speaking directly to you as you complete this great task. And it seems like at times he mocking, taunting, or otherwise putting you down, even though he is only a narrator, saying things like: “oh, you just lost a lot of progress. That is a deep rage. A burning feeling”. The effect of starting over fuels a rage that you didn't even know possible. It is worth mentioning that this experience is known as what is called a “B Game” directly quoting Bennet, he says: “B games are rough assemblages of found objects. Designers slap them together very quickly and freely. And they’re almost too rough, and unfriendly to gain much of a following”. More importantly, he remarks that “They are built more to enjoy building them, rather than polished products”. And to me, that one statement about how these “B Games” are built, are the very thing that makes them so difficult. The intention isn't for them to be beaten; only for fun building it. It could take you 2 hours, 2 days, or even as much as 2 months to beat them. Keep in mind that the player could spend a couple hours completing a part of the climb, but then make one mistake, and lose everything. . In a way, Getting over it is the perfect example of a B Game. It is thrown together almost randomly, with entirely found and recycled parts; which makes it an extremely unique game to play.
Untitled 1- Arlo Dube-Hooker
Untitled 2- Arlo Dube-Hooker
Tessa- Ainsley Murray
Unfinished Rose- Rachael Strycharz
No Fear - Oscar Schiff
It’s like the bristled pines make impenetrable walls around me. Boy, the forest gets pretty around this time of year. I continue walking, stopping occasionally to smell the wildflowers. The trail comes to an intersection and I go left. As the path continues, it gets more and more vague, nearly disappearing and then appearing again. That's alright I tell myself. It’s probably best to get as far away as possible. I have to walk around a large mossy boulder. Past the large stone, the path is nonexistent. The ground is alive with red flowers. The petals open up with yellow pistils sticking out, looking at the slim beams of sunlight through the dense canopy. The approximately five-foot patch of them looks almost like a pool of blood.
I pull my backpack off from my shoulders and set it down on the slightly damp and fertile ground. After wiping sweat from my forehead with the sleeve of my fleece jacket, I open it. Inside, I had packed a couple of energy bars, my old baseball cap, a map, and a pack of Marlboro cigarettes. The sun is around the middle of the sky. I must have left at around nine or ten in the morning. I grab a bar and rip it open. I eat it slowly while looking at a gnarled tree about thirty feet away. It looks vaguely like a twisted face. A knot in the trunk forms a crooked, screaming mouth. The nose is a broken branch and a limb grows from one of its squinted eyes. The more I look at it, the more surreal it appears, like some alien form. I look away. I crumple up the wrapper and stow it away in my bag. I zip up the bag and stand up. My legs have fallen asleep and I sway for a moment before continuing on. My throat feels dry and sore. God Dammit, I forgot to bring water. The birds seem to mock me from the canopy. I keep going. The trees are getting closer together as I make my way deeper into the forest, pines and birches towering overhead.
After a while, it gets colder, as if the trees are insulating any heat from entering. The bird sounds have subsided, replaced by a loud silence that rings in my ears. Because of this, I turn my head at the smallest of sounds, a twig snapping, or rustling in the bushes. I try to stay in the more open parts of the forest, but the brush seems to draw me in, grabbing me by the ankles and trying to eat me up. I notice a tree that has been scratched, bark torn off and claw marks carved deep into the sap-filled interior. My mind goes straight to bears. Dad used to tell me about the bears of this forest; big grizzly bears with powerful claws, sharp enough to tear away your skin like wrapping paper. I can hear running water all of a sudden. I’m parched and I begin to walk faster, following the soft trickling sound of the water source, I crash out of the bushes and to a steep drop-off. I try to slide down slowly but it doesn’t work and I tumble onto my chest at the muddy bank of the stream. I slowly sit up. My whole front is covered in mud and I’m shivering, but I reach my hands into the clear running water. It feels great, quenching my dry lips.
I must have hurt my hand when I fell because it’s bleeding and it stings a little when I put it in the water. I put my hand to my waist, where the scabbard of my father’s knife is. I pull it out. It’s a pretty long hunting knife with an extremely sharp edge. It still has remnants of blood on it. I put it down next to me and I’m kneeling now. I sweep back my hair with my hand, and I probably get some blood in it, but I don’t care. I reach into my bag and pull out the unopened pack of Marlboro cigarettes. I tear off the plastic around it and open it, the cigarettes lined up like toy soldiers. I take one and stick it in my mouth, lighting it with my lighter from my pocket. My dad always hated it when I smoked. But that doesn’t matter now. Because I killed him. I grasp the hunting knife again and lean over the edge of the water, my arms shaking from the cold and the nerves. I wash it several times, making sure it’s spotless. I look at it, my face reflected on it. I take the cigarette out of my mouth and blow smoke as I remember driving the blade into his chest as he slept. A noise comes from the other side of the stream and I look up. I hold the knife at the ready and take a drag from the cigarette. Shaking more than ever now, I see the bear, tall and lumbering towards me. But I have no fear.
Meow - Lucy McVey
Hollow Knight Fan Art - Lucy McVey
Twisted Up- Rachael Strycharz